The holy grail of audio editing, many believed it could not be done,Īnd a long and rocky development process kept the excitement running for Saved me so much time and explanation and setups and support and To exchange data over the web, but most other people aren't. I am quite comfortable with ftps and whatever other means necessary Massive archives of images and sounds, whatever you have to send that Hassle that usually comes with exchanging large files like movies, or Ninja stroke eliminated the need for ancient ftp servers and all the I will be moving most of my digital and physical merchandise Their support isįriendly and responsive, both to me and to my fans when they have Grown mature in short time, is actively developed. The service works perfectly, it is dead simple, easily integrated, has I am extremely happy with my Bandcamp stores. It is the natural extension and continuation of what To fans, in whatever format the fan wants, in whatever payment system In addition, asĪn extension of my use since last year, Soundcloud now power completeĪccess to streaming of absolutely all of my music on my ownįor bands and artists to sell their own music and merchandise directly Sometimes they're on the floor above me, other times on the other side Masters with collaborators, producers, directors all around the world. On a daily basis I exchange tracks, sketches, ideas, versions and
Soundcloud was mentioned last year but must be mentioned again this year. I have no idea what I would do without them: These three services form the absolute core of my digital existence in 2009. Digital services in the cloud are fundamental tools What a boring workaholic you say? I beg to differ! This shows howīeautiful and important the internet has become. The top three websites for me in 2009 are paid services. With the same aura of magic and adventure. His music is more playful than Desplat, but still With from Miyazaki's films, but first this year I properly investigated Mr Hisaishi is another composer who's work I was already familiar My other favorite score of his, currently, is Lust, Caution,īut in general I just love his sense of musical adventure and mystery. My attention, and I dove into his other scores, much of it available on Desplat did an excellent score for Benjamin Button, which caught If I should have to mention any specific music that defines 2009 for me, it must be the music of Alexandre Desplat and Joe Hisaishi. The world listens to (and hopefully play some video games too, aĬategory I skip because I only played one game for a few hours this I do have a massive amounts of albums,Īrtists, releases and projects on my to-do list I am intensely lookingįorward to having more time in 2010, and catch up with what the rest of When it comes to contemporary pop and electronica, I have beenīlissfully ignorant this year. If it isn't on a playlist, I have no idea what I have been Horror a consequence of this there are not personal stats or history on "albums" that deserve more mention than others. Which makes it even harder than usual to pick a few Spotify also changed the way I listen to music, I'm not "buying"Īlbums anymore, I kind drift in and out of artists, albums, tracks,įilms, compilations. Soon be swallowed by larger or better competitors, Spotify will foreverīe the first, most important step towards a shiny musical future. If the service itself needs a few nudges to become perfect, and it might I declare Spotify the most memorable music experience of 2009. The question to start as a slave is a an inconvenient but necessary thing, because Renoise can’t assume it should be started as a ReWire slave, just because a ReWire master happens to be active.Year music changed, or seen from another more exciting perspective,
You can not resolve this by allowing a startup switch as it would render Renoise useless in cases where there is no master active or where the master is started later. The ReWire engine provides for an automatic slave host startup, if some masters don’t make use of these functionalities, there must be reasons for those. I guess Renoise only does the automatic slave mode when it is called from the ReWire.dll library (that is in its turn connected to the ReWire engine) because in that case there is always a ReWire master active and when it is called from within the engine library, it know for sure it was meant to start as a slave host. If i look how Live should be rewired to Logic, it seems that both programs don’t assume anything here and require options to be set prior to starting the program.
#REWIRE RENOISE NOTHING SHOWS UP PRO#
Ok, I’m not exactly sure of this but it seems that these functionalities are in Reaper, but not in Ableton Live 8.2.2 or Logic Pro 9.1.4
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